I Don't Do A Film Unless It Has A Sword In It. And If It Doesn't Have A Sword In It, I Insist That They Have One In The Same Room To Keep Me Comfortable.
If You Want To Get An Audience Quiet, Just Say "abortion" And Everybody Shuts Up And The Tension In The Room Is Spectacular.
Social Security's Not The Hard One To Solve. Medicare, That Is The Gorilla In The Room, And You've Got To Put All Of It On The Table.
I'm Not Into Smoke-filled Rooms. I Don't Have The Time For Byzantine Political Intrigues.
Two Daiquiris Withdrew Into A Corner Of A Gorgeous Room And One Told The Other A Lie.
It Would Not Do For The Consumer To Know That The Hamburger She Is Eating Came From A Steer Who Spent Much Of His Life Standing Deep In His Own Excrement In A Feedlot, Helping To Pollute The Local Streams. Or That The Calf That Yielded The Veal Cutlet On Her Plate Spent Its Life In A Box In Which It Did Not Have Room To Turn Around.
Compared To A Novel, A Film Is Like An Economy Pizza Where There Are No Olives, No Ham, No Anchovies, No Mushrooms, And All You’ve Got Is The Dough.
The Collective Experience Of Watching A Great Film Together In A Room Is A Transcendent Moment That Will Never Die.
I Worked So Hard On That Role [of Debra In Dexter]. And I Barely Worked On Rita. But I Read For Casting - Both Parts - And They Said, "that's Great, We're Going To Bring You In For Producers." So I Read For Some Producers - Both Parts - And They Said, "that's Great, We're Going To Bring You In To Meet The Creator." And I Went In, And As Soon As I Walked In The Room, He Looked At Me And He Said, "oh My God, You're Our Rita!" And I Said, "no! I'm Deb! I'm A Total Deb!" "no, You're Rita!".
