Once You Work With A Studio On A Film, The Studio Is Sort Of Like This Enormous Clam That Just Opens, Takes Everything And Then Closes, And No One Enters Again. They Own It All.
Dragon's Lair 3d Is About As Close As You Can Come To Controlling An Animated Feature Film.
I Don't Do A Film Unless It Has A Sword In It. And If It Doesn't Have A Sword In It, I Insist That They Have One In The Same Room To Keep Me Comfortable.
I Think A Film Set Is A Quite Controlled Environment And You Feel Like You Can Trust Them And It Is Going To Be A Safe Place To Work, But I Really Don't Think About It.
You Have To Surrender Less When You See A Film Than When You Go And See Something Live.
David Lynch Is Démodé Now, If You Look At His Films. I Looked At Them The Other Weekend.
You Only Have To Go Hardcore Humiliation On The First Film. On The Subsequent Sequels, You Can Coast.
I Have An Intense Obsession With Making Films. I Not Only Love To Make Films, I Perhaps Need To Make Films.
I Have Watched People Who Have Nothing To Do With The Film Business, But Who Have Become Part Of The Circle For A Short Period Of Time. They Can Be Truly Devastated When The Film Wraps And People Leave.
I Could Never Have Conceived That I Would Ever Get To Work In A Truffaut Film. It Was Astonishing To Me, And Still Is. I Felt Like An Old Pro, But It Was Still So Unexpected.
And It's Not Only Films, I'm Pretty Unaware Of Anything That's Going On In Popular Culture Right Now.
