There's A Lot Of Music Nowadays With People Singing About How Amazing Their Clothes Are And How Incredible Their Shoes Are And How Much Jewelry They Might Be Wearing Or How Much Jewelry They Want, How Much Money They Have And The Club That They're In And The Alcohol That They're Drinking. I Think That's Showing Off. I Don't Think It's Necessarily All That Honest Or All That Interesting.
But Be Careful; Sand Is Already Broken But Glass Breaks. The Shoes Are For Dancing, Not Running Away.
You've Always Had The Power Right There In Your Shoes, You Just Had To Learn It For Yourself.
The Most Tragic Moment Of My Life Was The First Show I Ever Designed For. I Had Been Asked To Make Shoes For Ossie Clark's Show In The Early '70s. I Was So Inexperienced That I Didn't Put The Steel In The Heels Of The Shoes, Which Is Required To Support The Shoe And The Wearer. So The Girls Came Out Walking Very Strangely In These Rubber, Bendy High-heeled Shoes I Had Made. I Thought 'oh Dear God! This Is The End Of Me.' But After The Show, Even David Hockney And Cecil Beaton Said To Me 'it Was So Interesting That The Girls Were Moving In Such A Different Way.'
I Wish I Was Making Shoes Instead Of Reading Or Watching Movies, Which Is What I Do In My Free Time.
You Get Two Weeks After You Do A Shoe Where You Can Test Whether It's Good Or Not - If You're Going To Like It In 20 Years. Then I Know That It's Going To Be My Shoe For A Long Time. That Doesn't Happen Very Often, But It Happens.
If I Was A Woman, I Would Be Dressed In The Same Thing For A Month And Just Change My Hat And Gloves. Maybe My Shoes Too; Yes, I See What You Mean But, Really, It's Jewels That Change An Outfit.
The Secret Of Toe Cleavage, A Very Important Part Of The Sexuality Of The Shoe; You Must Only Show The First Two Cracks.
