The Russian Yearning For The Meaning Of Life Is The Major Theme Of Our Literature, And This Is The Real Point Of Our Intelligentsia's Existence.
Dostoevsky - Is Not A Realist As An Artist, He Is An Experimentator, A Creator Of An Experimential Metaphysics Of Human Nature.
We Are Standing On The Threshold Of A World-epoch Of Religious Creativeness, On A Cosmic Divide.
...in The Third Epoch The Divinity Of Man's Creative Nature Is Finally Revealed And Divine Power Becomes Human Power.
The World Is Not An Idea As Asserted By Philosophers Who Have Dedicated Their Entire Lives To The Exploration Of Ideas. First And Foremost The World Is Passion. But Passion Is Associated With Sadness. Sadness Does Not Only Arise From Death Which Makes Us Face The Eternity, But Also From Life Which Causes Us To Confront The Time.
In Every Artistic Activity A New World Is Created, The Cosmos, A World Enlightened And Free.
The Uniting Of Orthodoxy With State Absolutism Came About On The Soil Of A Non-belief In The Divineness Of The Earth, In The Earthly Future Of Mankind; Orthodoxy Gave Away The Earth Into The Hands Of The State Because Of Its Own Non-belief In Man And Mankind, Because Of Its Nihilistic Attitude Towards The World. Orthodoxy Does Not Believe In The Religious Ordering Of Human Life Upon The Earth, And It Compensates For Its Own Hopeless Pessimism By A Call For The Forceful Ordering Of It By State Authority.
But Man As A Person, The Same Man, Gains Mastery Over Egocentric Self-confinement By Disclosing A Universe In Himself...personality Is A Universe, It Is Filled With Universal Content.
In Creativity The Way Will Be Found For Subject To Pass Into Object, The Identity Of Subject With Object Will Be Restored. All The Great Creators Have Foreseen This Turning-point. Today, In The Depths Of Culture Itself And In All Its Separate Spheres, This Crisis Of Creativity Is Ripening.
The Bourgeois Takes Economic Power Very Seriously, And Often Worships It Quite Unselfishly.
